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D16 Group Silverline Collection audio software is the creative software developer behind some of the best music plugins you can find. Among its many high-quality offerings are Phoscyon, Antresol, Nepheton, Devastator 2, Lunchbox, and LuSH-101. They have many more, but for this issue of SoundBytes Magazine, we’ll take a look at the latest versions of some of their effect plugins: Toraverb 2, Decimort 2, Devastor 2, and Tekturon. These are half (currently) of a collection called Silverline. Six from the Silverline collection have been around for quite some time, starting life only as 32-bit. In recent years, two new plugins have been added to the collection, and the older effects are being improved one by one, including fairly small user interfaces, resizing. For each of these products, I’ll quickly cover the system requirements (as they are not all the same) and take a look at many of their controls and features.

Toraverb 2:

Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz multi-core CPU with SSE (2.8 GHz multi-core recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, 2.5 GHz CPU (2.8 GHz recommended), 4+ GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Installing Toraverb 2 was simple and you can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

After you’ve added it to a track or bus in your DAW, you will be presented with the screen. One great thing about the screen (besides how nice it looks) is that there are two different sizes. At the top of the screen and buttons are menus for various functions. Some of the items available in the Options menu are rendering quality settings and display size options. On the right is the current preset screen, and clicking on it will open the browser where you can choose from the many other presets found on board. You can also browse the presets using the Previous / Next buttons. Other features include the ability to Initialize Settings (INIT – start a preset from basic settings), Reload a preset (i.e., you might not like how your edits have gone wrong), and Save a preset.

Many of the controls that change the “innards” of the sound are located on the left side of the screen. One of the best parts of Toraverb 2 is that it has a lot of controls separated by early or late reflections. Once you have selected the Early or Late tabs, you can change many of the parameters.

The available controls found here are Pre-Delay (up to 500ms), Size, Bass Cut, Crosstalk between the left / right channel delay lines (Early reflections tab only), Feedback (Late Reflections tab only), Attenuation – similar to a tone control in that you can adjust the sound of the reflecting surface, and Diffusion: changes the way that reflected sound is affected by the surface from which it is reflected. Last but not least in this section is the modulation control. This will dial in an amount of modulation for the highlights, and it appears to cause the pitch to fluctuate slightly semi-randomly.

To the right of that section are controls for adjusting a single band parametric EQ. There are actually two of these, one for early and late reflections. There are three types of filtering available: high shelf, low shelf, and hood. Gain, frequency, and bandwidth controls are also present. Next is the mixer section. From here you can pan the early/late signals and increase/decrease the gain for each as well. When you enable the MS mode button, then pan left / right controls will function as middle/side controls.

The last area of ​​the screen is the Master section. This is where you can change the amount of wet/dry (this can be locked to switch between presets) and the effect curve that adjusts the crossfade from dry to wet signal. The last two controls are for Ducking (use compression to adjust the wet level in proportion to the dry mix level) and Attack / Release, which adjusts the attack/release times of the Ducking effect. When Toraverb 2 was released, it had an introductory price of $ 49, then went down to its normal price of $ 69. There is also an upgrade path for those who bought the original version. I think this is very affordable, especially when you consider that some of the other high quality reverbs on the market with similar characteristics can cost you a lot more. Toraverb 2 is truly a treat and will easily win you over with its intuitive interface, great sound, and programmability.

Decimort 2:

Decimort 2 is the latest incarnation of the D16 Group’s high-quality stereo lo-fi effect. It features ADC (analog / digital conversion) emulation and lets you reduce both the bit depth and sample rate of your audio. Depending on your settings, it can give you a distorted and sometimes vintage quality. However, it is not your everyday bit shredder, as you will soon see. Like Toraverb 2, the screen now has a choice of two screen sizes. I opted for the larger one since I now have a higher resolution monitor. The smaller size would definitely work well with smaller monitors and laptops.

Decimort 2 will work with Windows 7 or higher, more than 4 GB of RAM, and a 2.0 GHz CPU with SSE (a 2.1 multi-core CPU is recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, you will need a 1.8 GHz Intel-based CPU (2.4 GHz recommended), 4+ GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Installation was simple and you activate it online by logging into your D16 account or downloading an activation file to activate it offline.

The browser and main buttons at the top are all the same as those on Toraverb 2, including a screen showing the loaded preset, an INIT button, saving a preset, etc. At the top left is a preamp knob that you can use to boost the signal feed into Decimort 2. Below is the Quantizer section. Allows you to reduce the bits of the signal amplitude. The Dithering control can add a low level of white noise to the signal before quantizing and help smooth out distortions. In fact, I liked using it on a bass synth sound with hardly any of the half-bit white noise added to the startup settings. I set it really low, maybe about 1/4 of the way up, and also changed the Resolution setting to a level of 2. Nice and crisp! But of course, it is up to you and what you want to do on your own tracks.

Devastor 2:

Devastor 2 is a multi-band distortion plug-in that uses diode-clipper emulation and analog-modeled filters. Filtering can occur before or after the diode cutter. These filters have cutoff and resonance controls with classic types: low pass, high pass, bandpass, and band rejection. An improved browser and larger GUI is also available.

For the PC, you will need Windows 7 (or higher), 1.5 GHz CPU with SSE (2.0+ GHz multi-core recommended), 4+ GB of RAM. VST and AAX versions are available (32-bit and 64-bit). For Mac, you will need OS X 10.7 (or higher), an Intel-based 1.5 GHz CPU (2.0 GHz recommended), and more than 4 GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). Like the others in this article, Devastor 2 is easy to install. You can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

Once you’ve installed and activated it, you can upload it to a track on your preferred host. At the top are controls for loading / saving presets and a few other options. On the left side is the Shaper section with controls for dynamics, preamp, threshold, and shape. This is where diode clipping takes place. The Dynamics control will even out any difference in amplitude and works like a compressor. The preamplifier is the signal amplifier for the diode cutter. Threshold sets the nominal amplitude level, and anything above that value is where distortion occurs. Shape will deform the clipping curve you have selected, and there are six types of curves available to choose from. These types of curves are covered in more detail in the manual for additional information on them. The +/- LEDs give you feedback when the signal exceeds the threshold setting.

There are three identical filters in the filtering section. Each of them has cutoff, resonance / bandwidth, filter type, and volume settings. The resonance control will change to a bandwidth type when using the band pass and band rejection filter types. These can be configured in nine different configurations using the signal routing feature. Here are just three such setups you can use: 1) All three filter modules run in parallel and feed into the cutter. 2) Filters one and two in parallel feed into the trimmer, and then the signal moves from there to the third filter. 3) One of the filters is fed to the trimmer and the output of the trimmer goes to the other two filters. See the screenshot above for all the routing possibilities. Anyway, you get the idea: there are many combinations to choose from to shape / distort your audio. On the right side of the screen, there is a limiter that you can enable and a dry / wet effects control. Devastor 2 is an effective and useful plug-in that lets you get a warm sound from your clipper diode emulation. The signal routing is easy to use and works great.

Tekturon:

Tekturon is a delay plugin with a large sonic vocabulary. The main reason I say that is that it uses multiple lines (sixteen of them) to process your audio. Each of those delay lines has its own set of effects. These effects can be manipulated as desired and include volume, delay, feedback, pan, stereo spread, filter type, cutoff, and resonance. This sounds like it can be fun to use, right? Well the good news is that the answer is “yes”, but it is also intuitive and powerful, as you will soon discover.

For the PC, you will need Windows 7 or higher, more than 4 GB of RAM and a 2.8 GHz CPU with SSE (3.2 GHz with multicore recommended). It has VST and AAX versions available (32-bit and 64-bit). On Mac, you will need OS X 10.7 or higher, Intel-based 2.8 GHz CPU (3.2 GHz CPU recommended), 4 + GB of RAM. AU, VST, and AAX versions are available (32-bit and 64-bit). After a simple installation, you can activate it online by logging into your D16 account or downloading an activation file to activate it offline.

SilverLine 2020.2 collections of the d16 group:

• Antresol v1.1.4 – analog BBD stereo flanger
• Decimort v2.1.6 – high quality bit shredder
• Devastor v2.1.6 – multi-band distortion unit
• Fazortan v2.0.0 – controllable spatial phaser
• Frontier v1.0.0 – free self-adaptive versatile limiter
• Godfazer v1.0.1 – advanced modulation unit
• Redoptor v2.0.1 – vintage tube distortion
• Repeater v1.1.5 – epoch modeling delay
• Sigmund v1.1.2 – high quality flexible delay unit
• Syntorus v2.0.0 – triple path analog chorus
• Tekturon v1.0.8 – multi-tap sequenced delay
• Toraverb v2.0.2 – reverb with spatial modulation

Conclusion:

There are a couple of other useful features in these D16 effect plugins. One of them is easy-to-use MIDI learning, which is a simple right click on the control you want. Also, the render quality settings (as I mentioned above) have separate realtime and offline settings to choose from: Draft, Normal, High, and Ultra. All the add-ons I reviewed here are well conceived and reasonably priced. Most importantly, they all have excellent sound quality. Most DAWs have some “regular” effects included, but these are well above the norm and are well worth a try. I previously bought their Antresol flanger (which I love by the way) but didn’t have time to cover it in this review. I mentioned the separate prices for each product, but they also have a Silverline Collection package from our site.

Software Information:

• Silverline Collection (Complete Bundle)
• Included: Antresol, Decimort, Devastor, Fazortan, Frontier, Godfazer, Redoptor, Repeater, Sigmund, Syntorus, Tekturon, Toraverb
• d16 Group
• 2020.2
• 64-bit (VST2, VST3 and AAX)
• Windows 8 and 10
• Instructions: Just run the installer.

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D16 Group - Repeater v1.1.0 VST, VST3, AAX, AU WIN.OSX x86 x64Год/Дата Выпуска: 2017
Версия: 1.1.0
Разработчик: D16 Group
Издатель: Slate Digital
Сайт разработчика: http://d16.pl/repeater/
Сайт издателя: http://slatedigital.com/repeater-delay/
Формат: VST
Разрядность: 32bit, 64bit
Таблэтка: ПрисутствуетСистемные требования:
Windows OS: Windows 7 or higher (32 & 64-bit)
Mac OS: OSX 10.7 or higher (32 & 64-bit) [Intel]
AAX: ProTools 12+Описание:
Built-in 23 delay models ranging from classic oil cans and plates to the most famous vintage digital designs.
There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!
All-in-one
Introducing Repeater - A dual delay powerhouse that features 23 unique authentically modeled delay units ranging from classic oil cans and plates to the most famous vintage digital designs:

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● Cassette Tape - A model of an early 80's Japanese cassette tape deck. We'd call this one mid-fi
● Coopy Cube - An early 70's delay originally made from a garden hose! Great for short delays to add depth, also with stereo Spread option.
● Digital 42 - One of the most famous modern digital delays, this one has a uniquely early digital tone with a touch of graininess and a slight scoop. Great for guitars and vocals.
● Digital 42 x 2 - The double option on the Digital 42, it halves the sample rate for an extremely unique lo-fi tone that is great on vocals, guitars, and drums.
● Digital Delay - A hi resolution digital delay. Use Repeater’s filters and Color to customize the tone.
● DM-2 - An early bucket brigade analog delay with a warm and rich tone. Amazing on guitars and synths.
● Mellow Delay - A smooth, subdued delay that is based on several vintage analog topologies.
● Memory Guy - Lush analog delay with fat vintage tone.
● Mirky Delay - Based on early bucket brigade analog delays, it is dark and thick. Great as a special effect delay or thickener when used with the Spread option.
● New Radio - Delay tone with FM radio style scooped hi-fi tone. Try it on vocals.
● Old Radio - Delay tone with AM radio style grainy lo-fi tone.
● Pitchy Delays - (3 models) - Delays with slight pitch modulations for extremely spatial and deep effects. Sounds great when both delay lines are set to the same time creating a chorusing mono effect.
These can also be used with tight delays with Spread option for widening and thickening effects.

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● Plexy Echo - Based on an old 70s tape delay unit. It’s fat tone, which sounds great on vocals guitars and even drums.
● Space Delay - Based on the famous magnetic tape delay with warm and gritty tone. A classic on guitars.
● Tape Delay Ancient - An extremely old 1940's style tape delay tone.
● Tape Delay Classic - Early 60's style tape delay.
● Tape Delay Modern - Hi-fi tape delay with warm and lush tone.
● Tape Delay Vintage - 70's style tape tone, slightly grainy but warm.
● Telephone 1 - Lo-fi telephone tone, great for special effects or used as an insert on vocal or even full mix.
● Telephone 2 - Another lo-fi telephone tone with slightly different frequency and distortion tone.

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● TelRay - The analog delay classic made original from a tuna can. Beautifully lo-fi with a rich tone that is perfect for guitars.
Two is better than one
At first glance, Repeater appears to be your typical stereo delay effect processor with independent control of the processing path for the left and right channels. In actuality, it features independent re-panning and dry/wet mixing for each of two stereo channels, which makes it a very flexible double delay line effect. You'll be surprised and delighted by all the capabilities this approach can offer over the typical, fixed-panned one.
D16 Group Repeater - моделирование винтажных дилеев в сотрудничестве с Slate Digital,
на основе более сложного варианта дилея D16 Group - Sigmund,
с целью большей лаконичности интерфейса, для скорейшего получения результата, - без углубления в сложность Sigmund.
D16 Group's Repeater has been updated to version 1.1.0.